One more step
Please complete the security check to access www. spiritualityandpractice. com
Why do I have to complete a CAPTCHA?
Completing the CAPTCHA proves you are a human and gives you temporary access to the web property.
What can I do to prevent this in the future?
If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware.
If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices.
Cloudflare Ray ID: 45dfe1d5d60c4e6c • Your IP : 18.104.22.168 • Performance & security by Cloudflare
Into the wild film techniques essay
Film techniques is the term used to describe the ways that meaning is created in film.
A camera shot is the amount of space that is seen in one shot or frame. Camera shots are used to demonstrate different aspects of a film’s setting, characters and themes. As a result, camera shots are very important in shaping meaning in a film. Reviewing the examples on the right hand side of this page should make the different camera shots clearer.
An extreme long shot ( animation on right ) contains a large amount of landscape. It is often used at the beginning of a scene or a film to establish general location (setting). This is also known as an establishing shot.
A long shot ( animation on right ) contains landscape but gives the viewer a more specific idea of setting. A long shot may show the viewers the building where the action will take place.
A full shot ( animation on right ) contains a complete view of the characters . From this shot, viewers can take in the costumes of characters and may also help to demonstrate the relationships between characters. For more information on costumes and acting refer to Chapter 4.
A mid shot ( animation on right ) contains the characters or a character from the waist up . From this shot, viewers can see the characters’ faces more clearly as well as their interaction with other characters. This is also known as a social shot
A close-up ( animation on right ) contains just one character’s face . This enables viewers to understand the actor’s emotions and also allows them to feel empathy for the character. This is also known as a personal shot.
An extreme close-up ( animation on right ) contains one part of a character’s face or other object. This technique is quite common in horror films, particularly the example above. This type of shot creates an intense mood and provides interaction between the audience and the viewer.
When analysing a film you should always think about the different camera shots and why they are being used. The next time that you are at the cinema or watching television see what camera shots are being used.
Important: These camera shots are used in all forms of visual texts including postcards, posters and print advertisements.
It is important that you do not confuse camera angles and camera shots. Camera shots are used to demonstrate different aspects of setting, themes and characters. Camera angles are used to position the viewer so that they can understand the relationships between the characters. These are very important for shaping meaning in film as well as in other visual texts.
The following examples will help you to understand the differences between the different camera angles
A bird’s eye angle ( animation on right ) is an angle that looks directly down upon a scene . This angle is often used as an establishing angle, along with an extreme long shot, to establish setting.
A high angle ( animation on right ) is a camera angle that looks down upon a subject . A character shot with a high angle will look vulnerable or small. These angles are often used to demonstrate to the audience a perspective of a particular character. The example above demonstrates to us the perspective or point of view of a vampire. As a viewer we can understand that the vampire feels powerful.
An eye-level angle ( animation on right ) puts the audience on an equal footing with the character/s . This is the most commonly used angle in most films as it allows the viewers to feel comfortable with the characters.
A low angle ( animation on right ) is a camera angle that looks up at a character . This is the opposite of a high angle and makes a character look more powerful. This can make the audience feel vulnerable and small by looking up at the character. This can help the responder feel empathy if they are viewing the frame from another character’s point of view.
As with camera shots, you will be able to see many examples of camera angles in any film or visual text that you view. The next time that you watch television or see a film, take note of the camera angles and think of how they affect your perception (idea) of different characters.
Another camera angle that you might come across is a Dutch angle.
A Dutch angle ( animation on right ) is used to demonstrate the confusion of a character. The example above should disorientate you.
Composers of films also use camera movement to shape meaning. The following are some examples of common camera movements and how they can be used to shape meaning in films.
A crane shot ( animation on right ) is often used by composers of films to signify the end of a film or scene. The effect is achieved by the camera being put on a crane that can move upwards
A tracking shot and a dolly shot ( animation on right ) have the same effect. A tracking shot moves on tracks and a dolly shot is mounted on a trolley to achieve the effect in the example above. This camera movement is used in a number of ways but is most commonly used to explore a room such as a restaurant. By using a tracking shot or a dolly shot the composer of a film gives the viewer a detailed tour of a situation. It can also be used to follow a character.
Panning ( animation on right ) is used to give the viewer a panoramic view of a set or setting. This can be used to establish a scene
An Evangelion shot ( animation on right ) is derived from the popular anime series ‘Neon Genesis Evangelion’. This camera movement begins as an extreme close-up and zooms out abruptly, creating a blurring effect to emphasise the speed and size of the object
Lighting is a very important aspect for shaping meaning in films. What kind of atmosphere is created in a room lit by candles? Have you ever heard of mood lighting? A room that is brightly lit by neon lights might seem to be sterile or a shadowy room might be eerie or scary. The lighting technicians in a film crew have the task of creating lighting to suit the mood and atmosphere of each scene in a film.
Consider the animations Lighting example one, Lighting example two, Lighting example three and think about what type of atmosphere is created in each.
For each example, do you think the lighting suits the characters in the frames? For instance, in Example Three the two people are very happy and the scene is lit brightly. What would be the effect on the atmosphere if the lighting were dark and shadowy, similar to Example Two?
Remember that lighting is used in still image visual texts as well as in films.
Cinematography is the combination of the techniques described in this chapter. This includes camera shots, camera angles, camera movement and lighting. Use the term cinematography to group all of these together, for example, ‘The cinematography in that film was exceptional.’
For each camera angle and camera shot find an image from the film on the internet. Say what shot it is and why it was used at this point of the film. Present this on an A4 page (or two) and make it clear and concise so anyone could pick it up and understand what the document means. Give your work the heading ‘cinematography and meaning in ‘Into the wild’. Again focus on the proper use of english and grammar conventions.
Christopher McCandlessaka Alexander Supertramp
Christopher McCandless Essays
Into The Wild Papers and Assignments
Over the years many people have contacted this website about information for their assignments or projects on the story Into The Wild. Because of the creative and inspiring papers submitted, we decided to create a section of the site for these people.
If you are interested in writing a piece on Chris McCandless or the story and would like it posted on this website, please contact us at mail@christophermccandless. info. Please submit the paper in a word document with your name at the top. If you wish to submit a picture, the dimensions are 255×191 pixels.
You can include a contact email address should visitors wish to contact you. Also include your country of residence so we can see how far this story has reached.
To date, we have a number of papers submitted by visitors to the site and users of the forum. Below you will see a picture and a link to their papers.
All of us have a little bit of Chris in us. Who does not have a dream? Who does not want to go and pursue that dream? There are those that can and those that cannot. But, this is a place where you can voice these feelings and ambitions.
Face Your Fears and Live Your Dreams — Glenn Kevin Ryen.