Re-vision essays in feminist film criticism

Re-vision essays in feminist film criticism

Re-vision : essays in feminist film criticism

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# Re-vision : essays in feminist film criticism
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Library:oclcnum » 10011707 » ;
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Schema:about ; # Filmkritik
Schema:about ; # Feministischer Film
Schema:about ; # Feminism and motion pictures
Schema:about ; # Frauenfilm
Schema:about ; # Feminismus
Schema:about ;
Schema:about ; # Féminisme et cinéma
Schema:about ; # Feminist films
Schema:about ; # Aufsatzsammlung
Schema:about ; # Cinéma féministe—Histoire et critique
Schema:bookFormat bgn:PrintBook ;
Schema:contributor ; # Mary Ann Doane
Schema:contributor ; # Linda Williams
Schema:contributor ; # Patricia Mellencamp
Schema:copyrightYear » 1984 » ;
Schema:datePublished » 1984 » ;
Schema:description » Developments in feminist film criticism / Christine Gledhill — The woman at the keyhole : women’s cinema and feminist criticism / Judith Mayne — The «woman’s film» : possession and address / Mary Ann Doane — When the woman looks / Linda Williams — From repressive tolerance to erotic liberation : Maedchen in uniform / B. Ruby Rich — Dis-embodying the female voice / Kaja Silverman — Now and nowhere : Roeg’s Bad timing / Teresa de Lauretis. «@en ;
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Schema:genre » Aufsatzsammlung «@en ;
Schema:genre » Feminist films «@en ;
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Schema:isPartOf ; # The American Film Institute monograph series ;
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Schema:name » Re-vision : essays in feminist film criticism «@en ;
Schema:productID » 10011707 » ;
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Schema:publisher ; # University Publications of America
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# University Publications of America
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# American Film Institute monograph series ;
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# The American Film Institute monograph series ;
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# Cinéma féministe—Histoire et critique
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The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. Article features include film and related media, problems of education in these fields, and the function of film and video in society. The Journal does not ascribe to any specific method but expect articles to shed light on the views and teaching of the production and study of film and video.

The «moving wall» represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a «zero» moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.

Terms Related to the Moving Wall Fixed walls: Journals with no new volumes being added to the archive. Absorbed: Journals that are combined with another title. Complete: Journals that are no longer published or that have been combined with another title.

When the Woman Looks

This chapter is also reprinted in the following collections: Grant, Barry Keith (ed.) (1986) The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press. Jancovich, Mark (ed.) (2002) Horror. The Film Reader. London: Routledge.

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